Thursday, February 13, 2014

Down the Rabbit Hole



The rabbit has been sparking a good deal of controversy.
 On December 16th, 2013, one day after the funeral of South African President Nelson Mandela, an approximately 30 foot tall statue of the iconic leader was unveiled outside of the Union Buildings, the South African government's central headquarters, outside of Pretoria (bbc.co.uk).

The artists of the piece, Andre Prinsloo and Ruhan Janse van Vuuren, were allegedly not allowed by officials to engrave their names upon the statue's trousers (guardian.com), so, in a brazen act of defiance, they inserted their own trademark: a statue of a rabbit hidden in one of the ears.

The rabbit is said to have been placed there due to the tight time constraints for getting the project complete. The Afrikaans language word "haas" means both rabbit and haste (bbc.co.uk).

South Africa's government wants the rabbit removed.

"That statue isn't just a statue of a man,” said Dali Tambo, CEO of Koketso Growth, the heritage development company that managed the statue project. “It's the statue of a struggle, and one of the most noble in human history," Tambo said. "So it's belittling, in my opinion, if you then take it in a jocular way and start adding rabbits in the ear" (theguardian.com).

Nelson Mandela was elected president of South Africa in 1994, shortly after his 27 year imprisonment for his activism against South African apartheid (independent.co.uk). Mandela was famously known for his willingness to forgive his oppressors, and his openness and embrace of all members of the South African community, both black and white.

While the artists have since apologized for any offense that they may have caused (bbc.co.uk), there is the question of artistic integrity that must be considered. Did these artists have any right to include this insignia?

At first, I was sympathetic towards the two artists. Although the statue itself cost a cool 8,000,000 rand (over 700,000 dollars), being your own boss implies that you have no guarantee of a steady paycheck. You have to do what it takes to get your name out there in the world, so that you may generate more business.

However, after discovering that the artists’ names were going to be on a plaque right next to the statue, this seems like an act of cockiness and arrogance (news.yahoo.com). The artists would have received credit anyway, so it seems likely that they were a little too  attached to their work and have a little too big egos to be satisfied with that.

How could the government not see that coming? As an artist myself, I can say with certainty that we are deeply attached to our work, and when we don’t have creative control over how that work is presented, then we can take it a little personally. I understand that Dali Tambo said that the signatures “could be added on the statue in a discreet place, maybe on Mandela's heel" (mydailynews.com). The problem is that that statue is Prinsloo’s and van Vuuren’s baby, so they wanted to put their mark on it in whatever way they saw fit.

Even with this disobedience to authority, I don’t think there is really much of an offense. It was the most benign way that they could have included their trademark. It wasn't like they included a giant rat on the statue, which is probably something London street artist Banksy would have done.

“You need a long lens or binoculars to see it,” Prinsloo said (bbc.co.uk).

Either way, if the Prinsloo and van Vuuren weren't known by the world before, then it certainly knows them now.